This is the sort of art I’d love to one day have on my walls.
these are remarkable
The World’s Most Wonderful Bookstores!
Poplar Kid’s Republic
Shakespeare & Co. Antiquarian Books
Cook and Book
El Ateneo Grand Splendid
Buenos Aires, Argentina
“You must love in such a way that the person you love feels free.”Thich Nhat Hanh (via awelltraveledwoman)
Night Vision of Melbourne, Australia
Melbourne seen from the International Space Station at night reveals its young history. Unlike the winding streets in older European cities, Melbourne’s streetlights follow a more planned grid system. Established in 1835 around the natural bay of Port Phillip Melbourne is the capital of the state of Victoria in Australia.
that looks wicked
I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said. "It’s called ma. Emptiness. It’s there intentionally.”
Is that like the “pillow words” that separate phrases in Japanese poetry?
"I don’t think it’s like the pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.” Rogert Ebert, on Hayao Miyazaki (via oh-totoro)
"Too many books?" I believe the phrase you’re looking for is "not enough bookshelves".
“I think one thing you can do to help your friends who are depressed is to reach out to them not in the spirit of helping, but in the spirit of liking them and wanting their company. “I’m here to help if you ever need me” is good to know, but hard to act on, especially when you’re in a dark place. Specific, ongoing, pleasure-based invitations are much easier to absorb. “I’m here. Let’s go to the movies. Or stay in and order takeout and watch some dumb TV.” “I’m having a party, it would be really great if you could come for a little while.” Ask them for help with things you know they are good at and like doing, so there is reciprocity and a way for them to contribute. “Will you come over Sunday and help me clear my closet of unfashionable and unflattering items? I trust your eye.” “Will you read this story I wrote and help me fix the dialogue?” “Want to make dinner together? You chop, I’ll assemble.” “I am going glasses shopping and I need another set of eyes.” Remind yourself why you like this person, and in the process, remind them that they are likable and worth your time and interest.
Talk to the parts of the person that aren’t being eaten by the depression. Make it as easy as possible to make and keep plans, if you have the emotional resources to be the initiator and to meet your friends a little more than halfway. If the person turns down a bunch of invitations in a row because (presumably) they don’t have the energy to be social, respect their autonomy by giving it a month or two and then try again. Keep the invitations simple; “Any chance we could have breakfast Saturday?” > “ARE YOU AVOIDING ME BECAUSE YOU’RE DEPRESSED OR BECAUSE YOU HATE ME I AM ONLY TRYING TO HELP YOU.” “I miss you and I want to see you” > “I’m worried about you.” A depressed person is going to have a shame spiral about how their shame is making them avoid you and how that’s giving them more shame, which is making them avoid you no matter what you do. No need for you to call attention to it. Just keep asking. “I want to see you” “Let’s do this thing.” “If you are feeling low, I understand, and I don’t want to impose on you, but I miss your face. Please come have coffee with me.” “Apology accepted. ApologIES accepted. So. Gelato and Outlander?””
P.S. A lot of people with depression and other mental illnesses have trouble making decisions or choosing from a bunch of different options. “Wanna get dinner at that pizza place on Tuesday night?” is a LOT easier to answer than “So wanna hang out sometime? What do you want to do?”
Breathe and I’ll carry you away into the velvet sky,
and we’ll stir the stars around,
and watch them fall away into the Hudson Bay,
and plummet out of sight and sound.
“One good thing about music, when it hits you, it brings no pain.”Bob Marley (via daanielasm)
People Art Gallery
Exciting Photo Illusions
“Before you assume, learn. Before you judge, understand. Before you hurt, feel. Before you say, think”Unknown (via ohteenscanrelate)
Magical Paths Begging To Be Walked
Roads and paths pervade our literature, poetry, artwork, linguistic expressions and music. Even photographers can’t keep their eyes (and lenses) off of a beautiful road or path, which is why we collected this list of 28 amazing photos of paths.
Paths like these have a powerful grip on the human imagination – they can bring adventure, promise and change or solitude, peace and calm. There’s nothing like a walk down a beautiful path to clear your head – or to fill it with ideas!
I’ll leave you with an excellent quote from J. R. R. Tolkien’s works while you enjoy these images; “It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.“
- Autumn In The White Carpathians
- Rhododendron Laden Path, Mount Rogers, Virginia, USA
- Spring In Hallerbos Forest, Belgium
- Autumn Path In Kyoto, Japan
- Autumn Path
- Bamboo Path In Kyoto, Japan
- Hitachi Seaside Park Path In Japan
- Dark Hedges In Ireland
- Winter Forest Path, Czech Republic
- Path Under Blooming Trees In Spring
Babies sneezing is the best thing
Reid Wiseman is a national treasure.
"Christopher Stott (b.1976) is a realist painter. Stott works in a clean, simple, vivid compositional style using vintage objects set against white and neutral grounds with soft, natural light, focussing on the geometric designs of his subjects. Combining a subdued palette, he has a unique approach and consistent technique. Along with precise rendering balanced with very delicate, painterly brushwork, Stott’s work is approachable on multiple levels and has its finger firmly on the pulse of contemporary representational painting."